In The Man in the Queue (1929), a man is stabbed while waiting outside a West End theater, and Inspector Alan Grant unpicks a web of rumor, theatrical glamour, and urban anonymity. Tey's spare prose, dry wit, and acute social observation shape an early police procedural within the British Golden Age, privileging motive and psychology over gadgetry. From the glittering queue for star Ray Marcable to back rooms and border country, a stiletto, a vanished killer, and unreliable witnesses propel a humane, skeptical inquiry. Writing as Josephine Tey, Elizabeth MacKintosh-a Scot who split her career between teaching and the theater (as playwright Gordon Daviot)-brings insider knowledge of performance, publicity, and crowd psychology. Her interwar skepticism of dogma and investment in character animate Grant's attention to faces and stories, foreshadowing concerns she would later sharpen in The Daughter of Time. Readers of the Golden Age will relish the novel's unshowy craft and moral intelligence; newcomers will find a lucid entry to Grant's cases. Recommended for admirers of Christie and Sayers seeking a more psychologically shaded, procedurally minded investigation, and for anyone curious how the genre learned to look past the clue to the human being who leaves it. Quickie Classics summarizes timeless works with precision, preserving the author's voice and keeping the prose clear, fast, and readable-distilled, never diluted. Enriched Edition extras: Introduction · Synopsis · Historical Context · Brief Analysis · 4 Reflection Q&As · Editorial Footnotes.