The Light Has Been Broken gathers more than 560 macabre classics, supernatural mysteries, and dark tales into an expansive map of the literary uncanny. Its contents range from Gothic romance, ghost story, and occult fable to psychological horror, detective fiction, satire, scientific fantasy, and fin-de-siècle decadence. Haunted houses, revenants, doubles, cursed objects, criminal secrets, and disturbed perceptions recur throughout, while standout strands of cosmic terror and Victorian sensation reveal how fear continually adapts to new social and intellectual anxieties. Spanning writers from the eighteenth century through the early twentieth, the anthology brings together major British, American, Continental European, and transatlantic voices alongside less frequently recovered practitioners of popular supernatural fiction. These contributors collectively illuminate the evolution of Gothic and weird literature: from Romantic meditations on transgression and the sublime, through Victorian spiritualism and imperial unease, to modern psychological and cosmic dread. The breadth of national traditions, genders, and literary reputations demonstrates that the dark tale has always been a capacious form, shaped by folklore, scientific speculation, religious doubt, and social critique. Ideal for students, scholars, and devoted readers of the fantastic, this volume offers an exceptional opportunity to trace recurring motifs across an extraordinary range of styles. Its abundance invites both sustained study and serendipitous discovery, fostering a rich dialogue between canonical works and neglected curiosities.