Khalid Y. Long is Assistant Professor in the Department of Theatre and Film Studies and the Institute for African American Studies at the University of Georgia, USA. He has published work in the Journal of American Drama and Theatre, The Routledge Companion to African American Theatre & Performance, Continuum: The Journal of African Diaspora Drama, Theatre and Performance, and is a regular contributor to Black Masks.

Martine Kei Green-Rogers is the Dean of The Theatre School at DePaul University, USA, freelance dramaturg, and Past-President of the Literary Managers and Dramaturgs of the Americas (LMDA). Her publications include "Talkbacks for 'Sensitive Subject Matter' Productions: The Theory and Practice" in The Routledge Companion to Dramaturgy and "A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old" in Theatre History Studies.

Anja Hartl is Assistant Professor at the Department of English at the University of Innsbruck, Austria. She is the author of Brecht and Post-1990s British Drama: Dialectical Theatre Today and editor of the Methuen Drama Student Edition of The Threepenny Opera. Her research focuses on contemporary British theatre, Victorian fiction and adaptation studies. She co-edits the Methuen Drama Agitations Series.

William C. Boles holds the Hugh F. and Jeannette G. McKean Chair of English at Rollins College, USA. He edited Theater in a Post-Truth World: Text, Performance, and Politics and After In-Yer-Face: Remnants of a Theatrical Revolution and authored The Argumentative Theatre of Joe Penhall, Understanding David Henry Hwang and Mike Bartlett.