Now appearing in its first English translation, Theuerdank introduces readers to the fascinating world of the Renaissance. A forerunner of the graphic novel, Theuerdank, first published in 1517, includes over 100 woodcuts executed by leading artists of Central Europe.
'This vivid translation of one of the most important sources to understand innovation in early modern print culture and Habsburg power politics. A ground-breaking achievement, this authoritative edition makes the Theuerdank fully accessible to readers and students of the Renaissance.'
Ulinka C. Rublack, University of Cambridge, UK
'The massive 1517 publication of Emperor Maximilian's Theuerdank (Augsburg: Hans Schönsperger) remains one of the great books of the early age of printing, renowned not only for its brilliant woodcut illustrations but also for its pioneering use of printed Gothic script. Yet the German verses that narrate this remarkable late medieval chivalric quest romance have remained opaque to English speakers. This welcome new prose translation and illuminating introduction by Howard Louthan and Jonathan Green should restore this important work to its rightful place in early sixteenth-century literature alongside more familiar and celebrated works by Erasmus, More, Castiglione, and Machiavelli.'
Larry Silver, University of Pennsylvania, USA
'Louthan and Green offer an excellent prose translation of the entire poem and position all 118 of the woodcuts where they appeared in the text of the 1517 first edition. Jonathan Green translates the challenging Early New High German Knittelvers of the poem skillfully and with an attention to detail that evokes the elevated tone of the original while sparing readers the clumsier features of its jingling rhymes and leaky allegory. Howard Louthan's introduction encourages readers to discover Central European manifestations of the Renaissance that are often overshadowed in the anglophone world by those of Italy, France, and Britain. It is sure to become a staple for introductory courses on early modern Europe and an indispensable research tool for historians, art historians, Germanists, historians of the book, and more.'
Elaine Tennant, University of California, Berkeley, USA
