¿Selima Hill grew up in a family of painters on farms in England and Wales, and has lived by the sea in Dorset for over 35 years. She received a Cholmondeley Award in 1986, and was a Royal Literary Fund Fellow at Exeter University in 2003-06. She won ¿rst prize in the Arvon/Observer International Poetry Competition with part of The Accumulation of Small Acts of Kindness (1989), one of several extended sequences in Gloria: Selected Poems (Bloodaxe Books, 2008). Gloria includes work from Saying Hello at the Station (1984), My Darling Camel (1988), A Little Book of Meat (1993), Aeroplanes of the World (1994), Violet (1997), Bunny (2001), Portrait of My Lover as a Horse (2002), Lou-Lou (2004) and Red Roses (2006). Her latest collections from Bloodaxe are: The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward Poetry Prize and the Costa Poetry Award; The Sparkling Jewel of Naturism (2014); Jutland (2015), short-listed for both the T.S. Eliot Prize and the Roehampton Poetry Prize; The Magnitude of My Sublime Existence (2016), shortlisted for the Roehampton Poetry Prize; Splash Like Jesus (2017); and I May Be Stupid But I'm Not That Stupid (2019). Violet was a Poetry Book Society Choice and was shortlisted for all three of the UK's major poetry prizes, the Forward Prize, T.S. Eliot Prize and Whitbread Poetry Award. Bunny won the Whitbread Poetry Award, was a Poetry Book Society Choice, and was shortlisted for the T.S. Eliot Prize. Lou-Lou and The Hat were Poetry Book Society Recommendations, while Jutland was a Special Commendation.