Offering an analysis of the convergence between 'sacred' and 'secular' in medieval works of art and architecture, this collection explores both the usefulness and limitations of these terms for describing medieval attitudes. It enriches our understanding of social realities across a spectrum of medieval worlds. 'Overall, the editors have produced a noteworthy collection both in its structure and scope, supported by a lavish and relevant iconographic corpus. I enjoyed reading all of the essays, and I appreciated the editorial description of the central issue and framing of new critical approaches. I also liked the fact that Walker and Luyster point out the "work-in-progress" quality of their anthology. Far from simply providing new terms to supplant the old dichotomous opposition between sacred and secular, their reading essentially highlights the limits of too strict a distinction while at the same time acknowledging the existence and even the relevance of the two categories (1-2). And the essays included in the collection reiterate this critical stance since they all, in very different ways, are not limited to an essential, trite dismantlement but engage in a much more difficult task: the conscious reconstruction of more fluid, morphemic terms to designate differing trends in objects which were not simply the result of the skillful handling of chisels and brushes, but derived from a multitude of social, historical, political, economic, literary, geographic and artistic trends.' The Medieval Review