In this authoritative study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua and Milan. The princes who ruled these city-states, vying with each other and with the great European courts, relied on artistic patronage to promote their legitimacy and authority.

Major artists and architects, from Mantegna and Pisanello to Bramante and Leonardo da Vinci, were commissioned to design, paint and sculpt, but also to oversee the court's building projects and entertainments. Bronze medallions, illuminated manuscripts and rich tapestries, inspired by sources as varied as Roman coins, Byzantine ivories and French chivalric romances, were treasured and traded. Palaces were decorated, extravagant public spectacles were staged and whole cities were redesigned, to bring honour, but also solace and pleasure.

The 'courtly' styles that emerged from this intricate landscape are examined in detail, as are the complex motivations of ruling lords, consorts, nobles and their artists. Drawing on the most recent scholarship, Cole presents a vivid picture of the art of this extraordinary period.

Alison Cole untersucht die Rolle der Kunst an den Höfen von Neapel, Urbino, Ferrara, Mantua und Mailand. Bedeutende Künstler wurden mit Kunst- und Bauprojekten beauftragt. Paläste wurden geschmückt, extravagante Aufführungen veranstaltet und ganze Städte neu gestaltet. Die höfischen Stile, die daraus hervorgingen, werden ebenso eingehend untersucht wie die Motivationen der Fürsten und Künstler.