An elegant and haunting novel of love and family, The Tell demands that we reconsider our notions of marriage—duty, compromise, betrayal, and the choice to stand by or leave the ones we love
For Mira and Owen, a young, childless couple living in Providence, marital and financial troubles are simmering just below the surface—until Wilton Deere, a wealthy, over-the-hill actor, moves in next door. With no friends to speak of and an estranged daughter to win back, the desperate Wilton inserts himself into the younger couple’s lives. As stresses at work and home take their toll, Mira disappears secretly to casinos and slot machines, accompanied by Wilton. In time, her escapism turns to full-on addiction, threatening a marital bond that is fraying by the day. Adrift and alone, Owen finds himself with nowhere to turn but to the beautiful and mysterious Anya, Wilton’s daughter, who is testing her ability to trust her father after years apart.
As Owen and Mira’s marriage reaches what can only be the breaking point, Wilton suddenly disappears. The two must come together to find him and confront the new reality of their relationship —complete with sobering lessons learned but perhaps, if they can weather a storm of their own making, none the weaker for it.
The Tell is a book about risks: of marriage, of dependence, of responsibility, of living in the past. Told with equal parts suspense, sympathy, and psychological complexity, it shows us the intimate and shifting ways we reveal ourselves before we act, and what we assume yet don’t know about the people we love.
An elegant and haunting novel of love and family, The Tell demands that we reconsider our notions of marriage—duty, compromise, betrayal, and the choice to stand by or leave the ones we love.
Mira and Owen's marriage is less stable than they know when Wilton Deere, an aging, no longer famous TV star moves in to the grand house next door. With plenty of money and plenty of time to kill, Wilton is charming but ruthless as he inserts himself into the couple's life in a quest for distraction, friendship—and most urgently—a connection with Anya, the daughter he abandoned years earlier. Facing stresses at home and work, Mira begins to accompany Wilton to a casino and is drawn to the slot machines. Escapism soon turns to full-on addiction and a growing tangle of lies and shame that threatens her fraying marriage and home. Betrayed and confused, Owen turns to the mysterious Anya, who is testing her own ability to trust her father after many years apart.
The Tell is a finely-wrought novel about risk: of dependence, of responsibility, of addiction, of trust, of violence. Told with equal parts suspense, sympathy, and psychological complexity, it shows us the intimate and shifting ways in which we reveal ourselves before we act, and what we assume but don’t know about those closest to us.
"A wonderfully written, perceptive, and engaging novel. . . . Kaplan has created a story inhabited with impeccable and image-sharpened tremors, so acutely attuned to insights, epiphanies, betrayals and threats that I couldn't put it down."
